Wednesday, May 9, 2012

Ayyappa Paniker


Dr. K. Ayyappa Paniker, sometimes spelt "Ayyappa Panicker" (September 12, 1930 – August 23, 2006) was an influential Malayalam poet, literary critic, and an academic and a scholar in modern and post-modern literary theories as well as ancient Indian aesthetics and literary traditions. He was one of the pioneers of modernism in Malayalam poetry, where his seminal works like Kurukshethram (1960), considered a turning point in Malayalam poetry , Ayyappapanikkarude Krithikal and Chintha and several essays were an important influence on the playwrights of his generation.
In an academic career which ran in consonance with his literary one, and spanned four decades, he taught in various colleges and universities before retiring as the Director, Institute of English, University of Kerala. He published over 25 works, translated several important work to Malayalam, including Guru Granth Sahib and a book in French; as a scholarly editor he produced numerous anthologies on Indian literature, he was the chief editor of the Sahitya Akademi’s Indian Literary Encyclopaedia [3]. Another important work by him Indian Narratology, published by IGNCA, was the first of its kind to study various forms of the art of narration, in Indian literature, starting with Vedic and oral literature to Buddhist and contemporary literature.
Paniker (his preferred spelling) was born in Kavalam near Alappuzha to E. Naryanan Namboodiri, a Namboodiri Brahmin of Periyamana Illam, and M. Meenakshiamma. Fourth of the eight children, six of them girls, he grew up without any paternal affection, while his mother died when he was 12 years old, this early anguish and solitude deeply reflected in his poetry, which he started writing when he was in high school.
The Kavalam village, was also home to people like, K. M. Panikkar, historian and administrator, and playwright and poet, Kavalam Narayana Panicker, his cousin .He published his first poem at the age of 16, published in the Mathrubhoomi Weekly. He did his Intermediate at Malabar Christian College, Kozhikode, and B.A. Honours in English Literature from the University College, Thiruvananthapuram in 1951, thereafter he received his Master's degree from the University of Kerala.
Paniker took his doctorate from Indiana University with a doctoral dissertation on the poetry of Robert Lowell, supervised by Prof. Robert E. Gross, subsequently he did post-doctoral research in Yale and Harvard University (1981–82)
Paniker was a recipient of a number of honours including the Padma Shri, Kerala Sahitya Akademi award for poetry and criticism, Kendra Sahitya Akademi Award for poetry, 2005 Saraswati Samman for his collection of writings Ayyappa Panikerude Krithikal, Distinguished Teacher award, Mahakavi Ulloor award for poetry, Kabir Samman, International man of the year (IBC, Cambridge, UK), Indira Gandhi memorial fellowship with lead to the book, Indian Narratology published by IGNCA, Gangadhar Meher National award for poetry, Asan prize and Jana Sanskriti award (Abu Dhabi), Vayalar award, and Vallathol award.

Thirunalloor Karunakaran


Thirunalloor Karunakaran (October 8, 1924 – July 5, 2006) was a renowned poet, scholar, teacher and leftist intellectual of Kerala, India.

Thirunalloor (variously spelt in English as Thirunelloor, Thirunellur and Thirunallur) Karunakaran - 'Thirunalloor',his family name and 'Karunakaran',first name - was born in the village of Perinad in Kollam (Quilon) district in Kerala to P.K.Padmanabhan and N.Lakshmy. He started learning Sanskrit in the traditional way before joining primary school and was associated with the working class political movement early in his life.He published his first book-the Malayalam translation of a poem by Oliver Goldsmith- while in school. During student days he wrote several poems, lyrics and articles in periodicals and made his mark during the Pink Decade in Malayalam poetry.By the time of his joining college his close contacts with Communist leaders like R.Sugathan and M. N. Govindan Nair had made him a staunch sympathiser of the Communist party.

Poetry

Samagamam (Long poem)
Manjuthullikal (Collection of poems)
Premam Madhuramanu Dheeravumanu (Long narrative poem)
Soundaryathinte padayalkal (Collection of poems)
Rani (Long narrative poem)
Rathri (Long narrative poem)
Anthi Mayangumbol (Collection of lyrics)
Tashkent (Long narrative poem)
Thirunalloor Karunakarante Kavithakal (Collection of poems)
Vayalar (Long narrative poem)
Greeshma sandhyakal (Collection of poems)
Puthumazha (Collection of poems for children)
Meghasandesam (Translation of Meghaduta by Kalidasa )
Omarghayyaminte Gadhakal (Translation of Rubaiyat by Omar Khayyam )
Gypsikal (Translation of Gypsiesby Alexander Pushkin)
AbhijnanaShakunthalam(Translation of Abhijnanasakuntalam by Kalidasa )
[edit]Prose
Malayalabhashaparinamam Sidhanthangalum Vasthuthakalum (A study on the origin and evolution of Malayalam language )
Oru Mahayudhathinte Paryavasanam ( The Mahabharata retold through an independent angle)
Praacheena Bharathathile Bhouthikavaadam (Translation of In Defence of Materialism in Ancient India by Debiprasad Chattopadhyaya)
Anusmaranangal (Collection of articles)

Balamani Amma


Nalappat Balamani Amma (19 July 1909 – 29 September 2004) was an Indian poetess who wrote in Malayalam. She was a prolific writer and was known as the Poetess of Motherhood. Amma (Mother), Muthassi (Grandmother), and Mazhuvinte Katha (The story of the Axe) were some of her well known works. She was a recipient of many awards and honors, including Padma Bhushan, Saraswati Samman, Sahitya Akademi Award, and Ezhuthachan Award. She was the mother of the renowned writer Kamala Das.

Balamani Amma was born on 19 July 1909 to Chittanjoor Kunhunni Raja and Nalappat Kochukuttiamma at Nalappat, her ancestral home in Punnayurkulam of Thrissur district in Kerala. Though she received no formal education, the tutelage under her maternal uncle and the poet Nalappat Narayana Menon and his collection of books helped her become a poetess. She was influenced by Nalappat Narayana Menon and poet Vallathol Narayana Menon.
Balamani Amma got married at the age of 19 to V. M. Nair who later became the Managing Director and Managing Editor of Mathrubhumi, a widely-circulated Malayalam newspaper. She had left for Kolkata after her marriage to live with her husband who was employed as a senior officer in the Walford Transport Company that sold Bentley and Rolls Royce automobiles. V. M. Nair died in 1977. Balamani Amma was the mother of the renowned writer Kamala Das who has translated one of her mother's poems, The Pen, which describes the loneliness of a mother. Mohandas, Shyam Sunder, and Sulochana Nalappat are her other children. Balamani Amma died on 29 September 2004 after having suffered from Alzheimer's disease for nearly five years.

Balamani Amma had published more than 20 anthologies of poems, several prose, and translations. She began writing poems at a young age and her first poem Kooppukai was published in 1930. Her first recognition came when she received the Sahithya Nipuna Puraskaram, an award from Parikshith Thampuran, former ruler of Kingdom of Cochin. Nivedyam is the collection of poems of Balamani Amma from 1959 to 1986. Lokantharangalil was an elegy on the death of the poet Nalappattu Narayana Menon.
Her poetry on the love for children and grandchildren earned her the titles of Amma (Mother) and Muthassi (Grandmother) of Malayalam poetry. While delivering the Balamaniyamma remembrance speech at the Kerala Sahitya Akademi, Akkitham Achuthan Namboothiri, described her as the "prophet of human glory" and said that her poetry had been an inspiration to him. She has received many literary honours and awards, including the Kerala Sahithya Akademi Award for Muthassi (1963), Kendra Sahitya Akademi Award for Muthassi (1965), Asan Prize (1989), Vallathol Award (1993), Lalithambika Antharjanam Award (1993), Saraswati Samman for Nivedyam (1995), Ezhuthachan Award (1995), and N. V. Krishna Warrier Award (1997).
She was also a recipient of India's third highest civilian honour Padma Bhushan in 1987.
Collection of poems
Kooppukai (1930)
Amma (1934)
Kudumbini (1936)
Dharmamargathil (1938)
Sthree Hridayam (1939)
Prabhankuram (1942)
Bhavanayil (1942)
Oonjalinmel (1946)
Kalikkotta (1949)
Velichathil (1951)
Avar Paadunnu (1952)
Pranamam (1954)
Lokantharangalil (1955)
Sopanam (1958)
Muthassi (1962)
Mazhuvinte Katha (1966)
Ambalathil (1967)
Nagarathil (1968)
Veyilaarumbol (1971)
Amruthamgamaya (1978)
Sandhya (1982)
Nivedyam (1987)
Mathruhridayam (1988)

Kumaran Asan


N. Kumaran Asan (Malayalam:കുമാരനാശാന്‍) (1873–1924), also known as Mahakavi Kumaran Asan (the prefix Mahakavi awarded by Madras University in the year 1922 means "great poet" and the suffix Asan meaning scholar or teacher), was one of the triumvirate poets of Kerala, South India. He was also a philosopher, a social reformer and a disciple of Sree Narayana Guru.
Kumaran Asan initiated a revolution in Malayalam poetry in the first quarter of the 20th century, transforming it from the metaphysical to the lyrical. Deep moral and spiritual commitment is evident in Asan's poetry. His works are an eloquent testimony of poetic concentration and dramatic contextualization.
Asan was born in a merchant family belonging to the Ezhava community[citation needed] in April 1873 in Kayikkara village, Chirayinkeezhu taluk, north of Thiruvananthapuram district of Kerala, south India. Named Kumaru He was the second son in a family of nine children. His father, Narayanan Perungudi, was well versed in Malayalam and Tamil.His mother, Kaali. Asan inherited his taste for Kathakali and classical music. Kumaru trained in mathematics and Sanskrit for which he had a passion. Even though through his father's efforts, he got a job as a primary school teacher was not before and an accountant to a wholesaler at the age of 14, he quit the job two years later to pursue higher studies in Sanskrit. He undertook a studentship in poetry under Manamboor Govindan Asan. He wished to learn Yoga and Tantra and worked as an apprentice in a Muruga temple at Vakkom. It is said that the Muse of Poetry blessed him during this time. He composed a few devotional songs for the benefit of regular worshippers at this temple.
In 1917 Asan married Bhanumathiamma daughter of Thachakudy Kumaran - younger brother of Dr.P.Palpu's father. Asan had two sons, Prabhakaran and Sudhakaran. Bhanumathiamma, who was an active social worker, later remarried after Asan's untimely death. Bhanumathiamma died in 1975.

Works


Handwriting of Kumaran Asan : From the notebooks of Asan kept at Thonnakkal Asan museum
Sthothrakrithikal (1901)
This is a collection of poems. The poems published in this volume are longer than those published in Manimaala.
Saundaryalahari (1901)
Veenapoovu (1907)
Asan scripted this epoch-making poem in 1907 during his sojourn in Jain Medu, Palakkad.[1] A highly philosophical poem, ‘Veena Poovu’ is an allegory of the transience of the mortal world, which is depicted through the description of the varied stages in the life of a flower. Asan describes in such detail about its probable past and the position it held. It is an intense sarcasm on people on high powers/positions finally losing all those. The first word Ha, and the last word Kashtam of the entire poem is often considered as a symbolism of him calling the world outside "Ha! kashtam".
Oru Simhaprasavam (1909)
Nalini (Subtitle: Allengkil Oru Sneham) (1911)
Leela (1914)
A deep love story in which Leela leaves madanan, her lover and returns to find him in forest in a pathetic condition. She thus realizes the fundamental fact 'Mamsanibhadamalla ragam' (Love is not an artifact of flesh)
Sribuddhacharitham (1915)
This is an epic poem (perhaps Kumaran Asan's longest work), written in couplets and divided into five parts.
Baalaraamaayanam (1916)
This is a shorter epic poem consisting of 267 verses. Most of these verses are couplets, with the exception of the last three quatrains. There are, therefore, 540 lines in all.
Graamavrikshattile Kuyil (1918)
Prarodanam (1919)
Chintaavishtayaaya Sita (1919)
Pushpavaadi (1922)
Duravasthha (1922)
Chandaalabhikshuki (1922)
This poem, divided into four parts and consisting of couplets, describes an untouchable beggar-woman" (also the name of the poem) who approaches Lord Ananda near Sravasti.
Karuna (1923)
Manimaala (1924)
This is a collection of short poems.
Vanamaala (1925)
This is a larger collection of poems of varying length.
Kumaran Asan also wrote many other poems. Some of these poems are listed in the book Asante Padyakrthikal under the name "Mattu Krthikal" (Other Works):
Sadaachaarasathakam
Sariyaaya Parishkaranam
Bhaashaaposhinisabhayodu
Saamaanyadharmangal
Subrahmanyapanchakam
Mrthyanjayam
Pravaasakaalaththu Naattile Ormakal
This is another collection of poems that come from various letters Kumaran Asan wrote over the course of several years. None of the poems were longer than thirty-two lines.
Koottu Kavitha
The other poems are lesser known. Only a few of them have names:
Kavikalkkupadesam
Mangalam
Oru Kathth
This is another one of Asan's letter-poems.
Randu Aasamsaapadyangal

Monday, November 14, 2011

Thunchaththu Ramanujan Ezhuthachan


Thunjathu Ramanujan Ezhuthachan (Malayalam: തുഞ്ചത്തു രാമാനുജന്‍ എഴുത്തച്ഛന്‍, Tuñchattŭ Rāmānujan Eḻuttacchan; also known as തുഞ്ചത്തെഴുത്തച്ഛന്‍, Tuñcatt-Eḻuttacchan) was an Indian poet from around the 16th century, known as the father of the Malayalam language — the principal language of the Indian state of Kerala, spoken by 36 million people in the world. In his era, Vattezhuttu, an old script originally used to write Tamil, was generally used in Kerala to write this language. However, he wrote his Malayalam poems in Arya-ezhuttu, a Grantha-based script originally used to write Sanskrit, so that he could accurately transliterate Sanskrit words into Malayalam. His works became unprecedentedly popular, which popularized the writing system adopted by him, and it is the current Malayalam alphabet.
He was born in Trikkantiyur (തൃക്കണ്ടിയൂര്, Tr̥kkaṇṭiyūr), in the town of Tirur, in Kerala. At that time, it was a part of Vettattnad. His personal name is Ramanujan. Thunchaththu is his “family name”, and Ezhuthachan (schoolmaster) is an honorific title or the last name indicating his caste. His name is transliterated in several ways, including Thunchath Ezhuthachan, Thunchaththu Ezhuthachan, and Thunjath Ezhuthachan.
Thunchaththu Ezhuthachan lived in the 19th century, He was born at Trikkantiyur (Trkkantiyur) in the Tirur municipality, Malappuram, Kerala, India. His birthplace is now known as Thunjan Parambu.
According to Arthur Coke Burnell, he was “a low-caste man who goes under the name Tunjatta Eḻuttacchan, a native of Trikkaṇḍiyûr in the present [1874] district of Malabar. He lived in the seventeenth century, but his real name is forgotten; Tunjatta being his ‘house’ or family-name, and Eḻuttacchan (=schoolmaster) indicating his caste”. In 1865, Burnell saw the manuscript of the Bhagavata translated and adapted by Thunchaththu, allegedly copied by his sister, preserved at Puzhakkal in the Chittur taluk, and wrote in his book published in 1874: “The author’s stool, clogs, and staff are preserved in the same place; it thus looks as if Tunjatta Eḻuttaččhan was a sannyâsi of some order.” Some sources[who?] state that he was born into a Chakkala Nair family, held low among Savarna Hindu caste system of Kerala and among the Nair caste. Some apocryphal legends have that Ezhuthachan's father was a Namboodiri. That version is unhistoric. A few sources claim that he was of the Ezhuthachan caste. A. C. Burnell, a noted Indologist, categorically stated that Thunchaththu Ezhuthachan belongs to the Ezhuthachan caste only. He had stated this when he edited an article written by another important scholar, F. W. Ellis, when he published an article in Indian Antiquery in 1878 after the death of linguist Ellis. In that path-breaking article Ellis articulated the evolution of Malayalam ("Malayanma") and other south Indian languages.
Ellis stated:
"A Brahman without a father must be born of an unmarried female of that tribe, whose celibacy ought to have been inviolate: he is considered, therefore, illegitimate, and has scarcely an assignable place in society. Elutt' Achan, or the 'Father of Letters', was a Brahman without a father, and on that account has no patronymic ... The Brahmans envied his genius and are said to have seduced him by the arts of sorcery into the habit of ebriety ... he enriched the Malayalam with the translations, all of which, it is said, he composed under the immediate influence of intoxication."
To which Brunell added the footnote:
"Eluttachchan lived in the 17th century; there is no reason for supposing that he was a Brahman father's illegitimate son; he was certainly an Eluttachchan (or schoolmaster) by caste."
Great Malayalam poet and historian Ulloor S. Parameswara Iyer concludes Ezhuthachan as either Chakkala Nair or Vattekattu Nair. Sri K. Balakrishna kurup in his famous book Viswathinte Kanappurangal published by Mathrubhumi printing and publishing company Kozhikode had stated that Thunchaththu Ezhuthachan belongs to Ezhuthachan caste. Prof. T. B. Vijayakumar, a noted scholar and historian who wrote many articles in prestigious journals, like Mathrubhumi Weekly, also stated that Thunchaththu Ezhuthachan belongs to the Ezhuthachan caste.
In nutshell, Ezhuthachan was a Kaniyan by caste and had the title Ezhuthu Asan in relation to his teaching service in Ezhuthupalli. In the pre- and early-British ruling era of Kerala, the Kaniyans (traditional astrologers) were the only class who had undertaken the role of teaching letters, grammar, Sanskrit and literature to non-Brahmin communities. So they were known Ezhuthu Asan (Ezhuthachan in the vernacular) but, later, this professional name was adopted by the descendants of families of non-Brahmin disciples of Thunchat Ezhutahchan as a special caste or class. Most of these people were from the Chakkala Nair and Kadupattan castes.
Census reports from 1870 onwards show the Ezhuthachan caste as low Sudra caste.
Mahakavi Kodungallore Kunhikuttan Thampuran, a titan among poets who singlehandedly translated entire Mahabharatham into Malayalam vernacular within short span, stated in an article in a literary journal, Rasikaranjini (edited by himself) that Thunchath Ezhuthachan belonged to Ezhuthachan Caste only.
Father of Malayalam language

According to Dr. K. N. Ezhuthachan, noted scholar, writer, essayist, poet, only Ramayanam and Bharatham belong to him. Others, usually attributed to him, were not really his. According to Dr Ezhuthachan even Uththara ramayanam is not his. Its composition lacks Ezhuthachan's stamp and genius. There may have been many popular keerthanas, namam or japam by other poets, but it was impossible to find a single house in Kerala without Ezhuthachan's Adhyathmaramayanam during those dark times of war, disease and famine.
There is no doubt about his contribution to the literary level of the common man. Ezhuthachan taught the people to respect and worship the language and the alphabet, a level of culture which is difficult to find even in the modern era. He refined the Malayalam language style and wrote his works for ordinary people, incorporating whatever is good with a strong sense of righteousness and worship. His contribution to the Malayalam language through the Adhyatmaramayanam (a translation of the Ramayana and Mahabharatham (a translation of the Mahabharata) is unparalleled, and his contribution in the cultural level is immense. His chief original works are said to include the:
Keralolpathi
Hari Nama Keerthanam (the song of the holy vame "Hari")
Ganapatistavam
Kilippatu Prasthanam
Devi Mahathmayam
Kerala Natakam
Harihara Sudham
"...[T]he phrase ‘father of language’ is a symbolic reference. Language represents culture. So Ezhuthachan is in fact denoting culture. He shone as a brilliant star above our culture. He renovated the alphabets of heart. We see the light of conscience and moderation in Ezhuthachan. We call him ‘the father of Malayalam language’ because he led the language to a new dimension." — Chattanath Achuthanunni, chair, Thunjan Festival meeting (1998)

The Thunjan Parambu

It was in the Thunjan Parambu that Ezhuthachan modified the Malayalam alphabet and wrote the Hari Nama Keerthanam to popularize the 51-letter alphabet. Even centuries after these events, people from around the state come to take sand from the Thunjan Parambu to use in the initiation of their children to the alphabet. Every year, hundreds of people bring their children to Thunjan Parambu to write their first letters during the Vijayadasami festival which falls in October–November. Children are initiated to the world of letters by masters, teachers or parents by holding their fingers and writing the letters in a plate filled with rice. The letters will also be written in their tongues with a golden ring. They write:
"Anpathoraksharavum oronnithenmozhiyil
Anpodu cherkka Hari Narayanaya Nama" — Hari Nama Keerthanam 14th stanza
There is no controversy that the great teacher was the strongest sponsor of the 51-letter alphabet for Malayalam instead of the 30-letter Vattezhuthu.

LinkWithin

Related Posts Plugin for WordPress, Blogger...
Blogger Tips And Tricks|Latest Tips For Bloggers Free Backlinks